The exhibition "The fur has teeth" at Damien & the Love Guru, Brussels, features works by Yun Heo, Charlemagne Palestine, Helen Shu, Rafal Skoczek, and Tanja Widmann, presented in collaboration with Reilly Davidson. The show explores the concept of "postproduction" and "deejaying of visual forms," where artists collect and recast existing elements as a method of critical arrangement rather than pure citation. This approach involves actively exploiting archives, cataloging, and revealing hidden structures through various artistic practices.

The artists engage with this theme through diverse means. Helen Shu's paintings abstract autobiographical elements, while Tanja Widmann repurposes cultural ephemera and manipulates existing imagery. Rafał Skoczek utilizes readymades to investigate everyday structures, and Charlemagne Palestine incorporates found stuffed animals as carriers of spiritual energy. Yun Heo's work examines disposability and circulation through assemblages of consumer goods and cast-off materials. Collectively, the exhibition serves as a testing ground for interference, with artists reshaping and redefining existing archives.

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The fur has teeth

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